Today we have two openings.

This one, Dark Skies, is a thriller/suspense movie. MPAA rating is PG-13.
If it was published as a book, it would a great reading. I can easily imagine Stephen King-ish passages of small town's shops, streets, and social conflicts. Or Dean R. Koontz-ish seamless blending of supernatural events and sympathetic characters.
Movies of this kind have problems, mostly because actual appearances of aliens tend to suck. Example? Signs, by M. Night Shyamalan. When a danger is invisible, it better be as scary as the Alien in the first Alien movie.
Overall, a story is weaker than January's Mama, but it is still good fun for fans.
Shots:
Perri Nemiroff from Shockya goes for 17 mln.
I go for 14,75 mln opening. (2950 cinemas, $5000 per cinema)
BoxOffice staff go for 11 mln.
Ray Subers from BoxOfficeMojo goes for 10,2 mln.
C.S. Strowbridge from The Numbers goes for 10 mln.
Gitesh Pandya from BoxOfficeGuru goes for 10 mln.
HSX go for 10 mln.
Damon Houx from ScreenCrave goes for 9,5 mln.
Bill Bonfanti from FilmGo goes for 9 mln. (number taken from HSX article)
The movie went for 8,85 mln. (2313 cinemas, $3826 per cinema)
Movie Critic Assasins from BreitBart go for 7 mln.
Laremy Legel from RopeOfSilicon goes for 7,2 mln.
Donald Shanahan from Examiner goes for 7 mln.
This one, Snitch, is a thriller/suspense movie. MPAA rating is PG-13.
In this story, The Rock (or Dwayne Johnson, as he is known in official places) infiltrates a crime ring, trying to save his son from long prison stint. There are muscular bodies, car chases, blow-ups, fist fights. The hero has a burning need to do what he does, his physical appearance is also convincing enough. The question is: Why should I care about him and his story?
The same problem I had when watched trailer for Sly's Bullet to the Head. That movie bombed hard.
I put some trust in The Rock's fan base, so my shot is higher in comparison to other muscle movies of this year so far (A Good Day to Die Hard excluded).
Shots:
Donald Shanahan from Examiner goes for 18 mln.
I go for 13,2 mln opening. (3300 cinemas, $4000 per cinema)
Bill Bonfanti from FilmGo goes for 13 mln. (number taken from HSX article)
The movie went for 13 mln. (2511 cinemas, $5177 per cinema)
BoxOffice staff go for 12,8 mln.
C.S. Strowbridge from The Numbers goes for 12 mln.
Gitesh Pandya from BoxOfficeGuru goes for 12 mln.
HSX go for 12 mln.
Damon Houx from ScreenCrave goes for 11,9 mln.
Movie Critic Assasins from BreitBart go for 11,4 mln.
Ray Subers from BoxOfficeMojo goes for 11,2 mln.
Perri Nemiroff from Shockya goes for 11 mln.
Laremy Legel from RopeOfSilicon goes for 10,5 mln.




















