Tuesday, November 26, 2013

2013 11 29 – Black Nativity, Frozen, Homefront

Catching Fire didn't actually catch. It grasped just $ 1100 per theater more than the first installment. Why? Advertising hype was on, but it failed to catch new fans. It was still a movie for teen girls (a battle royale element was underplayed to match PG-13 rating criteria), written better than the book but still not good in terms of overall writing -- as I read in a review on some movie website. Delivery Man went into theaters, it was all can be said about it.

This weekend we have three openings. They start on Wednesday, but all shots cover a typical weekend of Friday-Sunday.

TUESDAY:  My shots per theater!

FRIDAY:  All shots!

MONDAY:  Official numbers!

-----------------------------------------------







JESUS WAS BORN IN BETLEHEM, IN A MENGER, #OUTOFHOSPITALDELIVERY

This one, Black Nativity, is a PG musical movie, from Fox.

If you think there is nothing new in this world, you may be right. For a brief moment I thought I will be shooting in the dark for this movie, but last year we got Joyful Noise to refer to. It opened with $ 4104 per theater. It got the same religion, singing, and life-is-hard themes, with Queen Latifah and Dolly Parton as two leads.

Black Nativity surely puts bigger names and faces up front: Angela Bassett, Forest Whitaker, Jennifer Hudson.

But the story vehicle is less accessible. Joyful Noise was driven by a competition theme: there was a personal level of it (two friends-rivals for a leading chair of local choir), and a global level of it (choirs compete for the title of the best one). Women audience could relate to heroines. Black Nativity's story is centered on a teenage boy, on his struggle with life. I don't know how much interested in singing are today's male teenagers, but I know both PS4 and Xbox One have just entered shops. It is a killer competition.

So I lower my shot in comparison to Joyful Noise.

Shots (Friday-Sunday):

$ 13 mln  --  Ray Subers, BoxOfficeMojo
$ 11 mln  --  SaberToothDragon, BoxOfficeFrontier
$ 10 mln  --  ThisIsNotMyName, BoxOfficePredictionsOnline
$ 10 mln  --  Edward Douglas, ComingSoon
$ 9,9 mln  --  C.S. Strowbridge, The-Numbers   (just under $ 10M)
$ 9,1 mln  --  Mitch Metcalf, ShowBuzzDaily
$ 9 mln  --  Gitesh Pandya, BoxOfficeGuru
$ 8,2 mln  --  Box Office team
$ 6,8 mln  --  Laremy Legel, RopeOfSilicon
$ 5,28 mln  --  Mario Ludwinski, USBOPredictions2013  (1516 theaters, $ 3482 per theater)
-----------------------------------------------
$ 3,88 mln  --  the official weekend number of the movie  (1516 theaters, $ 2559 per theater)

Damon Houx, ScreenCrave, Sensei White Lotus, BreitBart, Perri Nemiroff, Shockya, Andy Burns, BiffBamPop, didn't post a number for this one.

-----------------------------------------------





THE SNOWMAN WHO SNORTED TOO MUCH SNOW

This one, Frozen, is a PG adventure movie, from Walt Disney.

I saw the trailer a couple of times. I feel something is wrong, but I can't really put my finger on it.

On the plus side:
*  no competition  --  kids forgot Cloudy 2,
*  season match  --  this snow intensity is still ahead of us, but a lot of us wait eagerly for it, this movie is as close substitution as can be,
*  Tangled lookalike  --  if kids have any ounce of visual memory, they will links these two movies and drag their parents into theaters,
*  Olaf, the overacting snowman  --  he walks and speaks as if he snorted too much snow, these characters attract kids' attention (he also took center place on the poster).

On the minus side:
*  opponent is not present  --  the scary snow witch doesn't appear much in the trailer, it is rather a fight against nature (snow, blizzard, wolves) than her, which is a weak source of story tension,
*  Prince Charming vs A Peasant with a Golden Heart  --  it looks like a filler character than a serious rival to the heroine's heart
*  she's no Merida  --  her name isn't told in the trailer, so we have no reason to put up our liking for her, it is a bad sign for any hero.

All pluses look to me like market factors, all minuses look like movie factors. When comes to opening weekends, market factors are more important. When comes to next weekend's legs, or reviews, movie factors are more important.

Tangled opened with $ 13,535 per theater. Brave opened with $ 15,927 per theater. I think Frozen will open with something in the middle of these two numbers, closer to Tangled.

Shots (Friday-Sunday):

$ 66,71 mln  --  the official weekend number of the movie  (3742 theaters, $ 17,828 per theater)
-----------------------------------------------
$ 52,76 mln  --  Mario Ludwinski, USBOPredictions2013  (3742 theaters, $ 14,100 per theater)
$ 50 mln  --  SaberToothDragon, BoxOfficeFrontier
$ 47 mln  --  Box Office team
$ 45,5 mln  --  Mitch Metcalf, ShowBuzzDaily
$ 45 mln  --  C.S. Strowbridge, The-Numbers
$ 45 mln  --  Gitesh Pandya, BoxOfficeGuru
$ 45 mln  --  Andy Burns, BiffBamPop
$ 44,7 mln  --  Ray Subers, BoxOfficeMojo
$ 44,2 mln  --  Edward Douglas, ComingSoon
$ 40 mln  --  ThisIsNotMyName, BoxOfficePredictionsOnline
$ 29,9 mln  --  Laremy Legel, RopeOfSilicon

Damon Houx, ScreenCrave, Sensei White Lotus, BreitBart, Perri Nemiroff, Shockya, didn't post a number for this one.

-----------------------------------------------





I SAW THIS 70 YEARS AGO, STARRING GARY COOPER

This one, Homefront, is an R action movie, from Open Road.

70 years ago westerns were the best movies possible. John Wayne, Gary Cooper, Henry Fonda: these names pulled people into theaters. Small and lawless western towns acted as witnessed to conflicts, ambitions, dreams, betrayals, rises and falls of the human nature.

In 2013 this chair is occupied by a genre of superhero movies. Iron Man, Superman, Thor, Wolverine, Professor Xavier, Magneto: they serve as poster boys for modern characterizations of human struggle in life. As older heroes possessed extraordinary skills in shooting, riding, lasso throwing, heroes of now use armors, hammers powered by a four-dimensioned source, and DNA mutations.

This parallel shows that in year 2013 there is no room for a typical drama movies without superhero elements. Openings of such movies as Promised Land, Broken City, Dead Man Down, Prisoners, Escape Plan, Runner, Runner, and my favorite flop of the year -- The Last Stand, didn't cross $ 10 mln. No one simply cared.

The same fate awaits for Homefront. It would be a great western: the hero stands against local big guys and burns down their cow branding counterfeit business. Now it is just a meh proposition, with too small value to offer.

Shots (Friday-Sunday):

$ 10 mln  --  Andy Burns, BiffBamPop
$ 9 mln  --  Laremy Legel, RopeOfSilicon
$ 8,9 mln  --  Ray Subers, BoxOfficeMojo
$ 8,5 mln  --  Edward Douglas, ComingSoon
$ 8 mln  --  C.S. Strowbridge, The-Numbers
$ 8 mln  --  Gitesh Pandya, BoxOfficeGuru
$ 8 mln  --  SaberToothDragon, BoxOfficeFrontier
$ 7,8 mln  --  Mitch Metcalf, ShowBuzzDaily
-----------------------------------------------
$ 7,6 mln  --  Box Office team
$ 6,97 mln  --  the official weekend number of the movie  (2570 theaters, $ 2712 per theater)
$ 6,51 mln  --  Mario Ludwinski, USBOPredictions2013  (2570 theaters, $ 2531 per theater)

Damon Houx, ScreenCrave, Sensei White Lotus, BreitBart, Perri Nemiroff, Shockya, ThisIsNotMyName, BoxOfficePredictionsOnline, didn't post a number for this one.

-----------------------------------------------


Tuesday, November 19, 2013

2013 11 22 – Delivery Man, The Hunger Games: Catching Fire

Counterprogramming and reduction of the number of theaters: these were two reasons last weekend's The Best Man Holiday went high. Higher than all predictions. It doesn't happen that frequent, usually counterprogramming stays on a paper. This time it went live. Good for people who watched it.

This weekend we have two openings.

TUESDAY:  My shots per theater!

FRIDAY:  All shots!

MONDAY:  Official numbers!

-----------------------------------------------





NEXT TIME BETTER SOCK IT, SON

This one, Delivery Man, is a comedy PG-13 movie, from Walt Disney.

Bill Murray. Eddie Murphy. Jim Carrey. Those were names who could single handedly lead a comedy movie. To execute funny contrast they didn't need a sidekick.

Vince Vaughn is a seasoned comedy actor. But he didn't lead his past movies. He has always a bigger name beside. Owen Wilson played a dumber one in Starsky & Hutch, The Wedding Crashers, The Internship. In Four Christmases he shared screen time with Reese Witherspoon, and in The Break Up -- with Jennifer Aniston.

This time he takes all burdens on himself. And he succeeds. The comic premise is interesting (a guy finds out he has about 100 children and helps some of them in life), the character is likable (he positively answers to the story challenge).

Still, his name doesn't drive audience to theaters. On a comedy scale I feel this movie rests close to The Incredible Burt Wonderstone: good entertainment, but you need to be a genre fan.

Shots:

$ 14 mln  --  Laremy Legel, RopeOfSilicon
$ 13,9 mln  --  SaberToothDragon, BoxOfficeFrontier
$ 13,7 mln  --  Ray Subers, BoxOfficeMojo
$ 13 mln  --  C.S. Strowbridge, The-Numbers
$ 13 mln  --  Perri Nemiroff, Shockya
$ 12,5 mln  --  Damon Houx, ScreenCrave
$ 12 mln  --  Mitch Metcalf, ShowBuzzDaily
$ 12 mln  --  ThisIsNotMyName, BoxOfficePredictionsOnline
$ 11,5 mln  --  Edward Douglas, ComingSoon
$ 11 mln  --  Gitesh Pandya, BoxOfficeGuru
$ 10,57 mln  --  Mario Ludwinski, USBOPredictions2013  (3036 theaters, $ 3480 per theater)
$ 10 mln  --  Andy Burns, BiffBamPop
$ 9 mln  --  Box Office team
-----------------------------------------------
$ 7,95 mln  --  the official weekend number of the movie  (3036 theaters, $ 2617 per theater)
$ 7,5 mln  --  Sensei White Lotus, BreitBart

-----------------------------------------------





A JOURNEY TO WOMANHOOD, OR THE RED RIDING HOOD OF 2000s

This one, The Hunger Games: Catching Fire, is a thriller/suspense PG-13 movie, from Lionsgate.

The only thing I need to decide is whether this movie will take the title of The Best Weekend Opening of the Year from hands of Tony Stark and co. Iron Man 3 went for $ 40,946 per theater. It pleased both girls (Robert Downey Jr.) and boys (Robert Downey Jr., various armors) audience. The Hunger Games leans more towards girls than boys (the battle royale element was underdeveloped). I watched the first part (on DVD), and I'm not going to watch the second.

Shots:

$ 195 mln  --  Damon Houx, ScreenCrave
$ 180 mln  --  Gitesh Pandya, BoxOfficeGuru
$ 180 mln  --  Andy Burns, BiffBamPop
$ 177 mln  --  SaberToothDragon, BoxOfficeFrontier
$ 176,3 mln  --  Laremy Legel, RopeOfSilicon
-----------------------------------------------
$ 170 mln  --  ThisIsNotMyName, BoxOfficePredictionsOnline
$ 168 mln  --  C.S. Strowbridge, The-Numbers
$ 168 mln  --  Sensei White Lotus, BreitBart
$ 167 mln  --  Ray Subers, BoxOfficeMojo
$ 167 mln  --  Mitch Metcalf, ShowBuzzDaily
$ 166 mln  --  Box Office team
$ 162,77 mln  --  Mario Ludwinski, USBOPredictions2013  (4163 theaters, $ 39,100 per theater)
$ 162,5 mln  --  Edward Douglas, ComingSoon
$ 160 mln  --  Perri Nemiroff, Shockya
$ 158,07 mln  --  the official weekend number of the movie  (4163 theaters, $ 37,971 per theater)

-----------------------------------------------
  
  

Tuesday, November 12, 2013

2013 11 15 – The Best Man Holiday

Thor: The Dark World didn't broke any records. It was a nice movie, funnier than it appeared in the trailer. That was the reason I missed the 10 per cent margin for it.

This weekend we have one opening.

TUESDAY:  My shot per theater!

FRIDAY:  All shots!

MONDAY:  The official number!

-----------------------------------------------





IS IT: (A) BEER, (B) BEER, BUDDIES, (C) BEER, BUDDIES, GAME?

This one, The Best Man Holiday, is a comedy R movie, from Universal.

It is also an overdelivered sequel to The Best Man, a comedy from 1999. The first installment made a total run about $ 30M. It is understandable we didn't get the sequel earlier.

We have three movies this year to model the opening for this one:
*  The Big Wedding  --  $ 2883 per theater, the ensemble comedy around the wedding,
*  Baggage Claim  --  $ 4455 pt., adventures of a woman looking for love,
*  Grown Ups 2  --  $ 11,890 pt., a sequel about growing up and how relationships change with time.

We have two movies from 2011 and 2012 to model this one:
*  New Year's Eve  --  $ 3714 pt., the ensemble comedy around the event,
*  Think Like a Man  --  $ 16,694 pt., a comedy about four and a half couples.

I'm sure Think Like a Man's level is out of the question. That movie was centered around girls-versus-boys theme rather (thus reaching girls as audience, not couples), than it was a rom com or a comedy (as this one tries to be, judging from humor in the trailer).

I'm sure this one won't get Grown Ups 2's level. The sequel sentiment is 14 years old, this is just too much. It may even backfire. Any girl can convince her boyfriend to see one girlish movie, but watching two movies in one week time? Too much for an average guy.

I'm sure this one won't break Baggage Claim's level. Will it break New Year's Eve's level? The movie looks smaller in scope (big city vs. the mansion), so less action, more talking. I'm comfortable with $ 3000 per theater.

Shots:

$ 30,11 mln  --  the official weekend number of the movie  (2024 theaters, $ 14,875 per theater)
-----------------------------------------------
$ 24,5 mln  --  Box Office team
$ 24 mln  --  Ray Subers, BoxOfficeMojo
$ 22,3 mln  --  Edward Douglas, ComingSoon  (new predictions site, welcome!)
$ 22 mln  --  C.S. Strowbridge, The-Numbers
$ 22 mln  --  Sensei White Lotus, BreitBart
$ 21,5 mln  --  Mitch Metcalf, ShowBuzzDaily
$ 20,8 mln  --  Laremy Legel, RopeOfSilicon
$ 19 mln  --  Gitesh Pandya, BoxOfficeGuru
$ 18 mln  --  Andy Burns, BiffBamPop  (new predictions site, welcome!)
$ 17,9 mln  --  Damon Houx, ScreenCrave
$ 17 mln  --  ThisIsNotMyName, BoxOfficePredictionsOnline
$ 15 mln  --  Perri Nemiroff, Shockya
$ 14,5 mln  --  SaberToothDragon, BoxOfficeFrontier  (new predictions site, welcome!)
$ 6,07 mln  --  Mario Ludwinski, USBOPredictions2013  (2024 theaters, $ 3000 per theater)

-----------------------------------------------
  
  

Tuesday, November 5, 2013

2013 11 08 – Thor: The Dark World

Last weekend I learnt good ideas on a single family scale don't translate well into massive market, if not backed by marketing money or online buzz. Switching audiences from Free Birds to Ender's Game didn't happen, so both these shots of mine went wide. As usual, it was a good lesson.

This weekend we have one opening.

TUESDAY:  My shot per theater!

FRIDAY:  All shots!

MONDAY:  Official weekend numbers!

-----------------------------------------------





ADVENTURES OF A TANK WITH A SENSE OF HUMOR

This one, Thor: The Dark World, is an action PG-13 movie, from Paramount.

In role playing games' jargon, a tank is a character with high strength and endurance. His job is to keep opponents away from physically weaker members of a team: mages, archers, thieves, healers. In the movie team of Avengers there are two tanks: Hulk and Thor. Hulk is a classic one, while Thor can also be a distance player (thanks to his hammer and thunders).

I write about it, bacause it is relevant to box office numbers (and to future solo Hulk movies). Tanks are not the most interesting lead characters. They are not the brightest folks, so the story is usually light, with a lot of space for humor and unusual landscapes. The first Thor delivered it perfectly: three different settings (Frost Giants World, Asgard, Earth), tension created by Loki's machinations, humor served by Thor, its companions, and Agent Coulson.

This time, the place of Coulson went to Natalie Portman's Jane character, who is not funny. Frost Giants World was substituted by Dark Elves World, and it is lacking visual distinction, judging from the trailer. Instead of a town in desert, we got modern London. All three substitutions don't play well. If Loki was removed from the movie, it would totally fall apart in terms of audience engagement.

Thor: The Dark World will get a better box office than the first installment, but how better it's going to be? Here are some numbers:

*  $ 16,618 per theater -- previous Thor's opening,
*  $ 18,412 per theater -- World War Z's opening, as another action PG-13 movie this year,
*  $ 25,211 per theater -- Skyfall's opening, that happened exactly on second weekend of November last year (an action PG-13 movie also).

The first and the third number are out of reach. I think this movie will top $ 18,000 per theater, but won't cross $ 20,000 per theater. If three substitutions I mentioned earlier were executed better, I'd add $ 2000-3000 per theater.

Shots:

$ 104 mln  --  Sensei White Lotus, BreitBart
$ 100 mln  --  ThisIsNotMyName, BoxOfficePredictionsOnline
$ 97 mln  --  Box Office team
$ 95,5 mln  --  Mitch Metcalf, ShowBuzzDaily
$ 94,7 mln  --  Damon Houx, ScreenCrave
-----------------------------------------------
$ 90 mln  --  Perri Nemiroff, Shockya
$ 89 mln  --  Ray Subers, BoxOfficeMojo
$ 86 mln  --  Gitesh Pandya, BoxOfficeGuru
$ 85,74 mln  --  the official weekend number of the movie  (3841 theaters, $ 22,322 per theater)
$ 84 mln  --  C.S. Strowbridge, The-Numbers
$ 83,6 mln  --  Laremy Legel, RopeOfSilicon
-----------------------------------------------
$ 74,32 mln  --  Mario Ludwinski, USBOPredictions2013  (3841 theaters, $ 19,348 per theater)

Donald Shanahan, Examiner, didn't post his numbers.

-----------------------------------------------